The Grand Théâtre de Bordeaux is an opera house first inaugurated on 17 April 1780. It was in this theatre that the ballet La fille mal gardée premiered in 1789, and where a young Marius Petipa staged some of his first ballets.
The theatre was designed by the architect Victor Louis (1731–1800). Louis later designed the galleries surrounding, the gardens of the Palais Royal, and the Théâtre Français in Paris.
The Grand Theatre of Bordeaux was conceived as a temple of the Arts and Light, with a neo-classical facade. It has a portico of 12 Corinthian style colossal columns which support an entablature on which stand 12 statues that represent the nine Muses and three goddesses (Juno, Venus and Minerva). Pierre-François Berruer made four of the statues, and his assistant Van den Drix carved the others from Berruer's models.
The interior grand staircase served as a model for the grand staircase of the Opéra Garnier in Paris.
On the ceiling of the auditorium, there is a large fresco painted by Jean-Baptiste-Claude Robin. It pays homage to the Arts, to the artisans that built the building, and to the city of Bordeaux. The late scene shows a woman, allegory of Bordeaux, protected by Hermes and Athena, and in the foreground, three wealth of the city : the wine, the sea trade and the slave.
The inside of the theatre was restored in 1991, and once again has its original colours of blue and gold. The Grand Théâtre de Bordeaux is one of the oldest wooden frame opera houses in Europe not to have burnt or required rebuilding.
Today, the theatre is home to the Opéra National de Bordeaux, as well as the Ballet National de Bordeaux which has many international dancers.
The Château de Foix dominates the town of Foix. An important tourist site, it is known as a centre of the Cathars. Built on an older 7th-century fortification, the castle is known from 987. In 1002, it was mentioned in the will of Roger I, Count of Carcassonne, who bequeathed the fortress to his youngest child, Bernard. In effect, the family ruling over the region were installed here which allowed them to control access to the upper Ariège valley and to keep surveillance from this strategic point over the lower land, protected behind impregnable walls.
In 1034, the castle became capital of the County of Foix and played a decisive role in medieval military history. During the two following centuries, the castle was home to Counts with shining personalities who became the soul of the Occitan resistance during the crusade against the Albigensians.