The Grand Théâtre de Bordeaux is an opera house first inaugurated on 17 April 1780. It was in this theatre that the ballet La fille mal gardée premiered in 1789, and where a young Marius Petipa staged some of his first ballets.
The theatre was designed by the architect Victor Louis (1731–1800). Louis later designed the galleries surrounding, the gardens of the Palais Royal, and the Théâtre Français in Paris.
The Grand Theatre of Bordeaux was conceived as a temple of the Arts and Light, with a neo-classical facade. It has a portico of 12 Corinthian style colossal columns which support an entablature on which stand 12 statues that represent the nine Muses and three goddesses (Juno, Venus and Minerva). Pierre-François Berruer made four of the statues, and his assistant Van den Drix carved the others from Berruer's models.
The interior grand staircase served as a model for the grand staircase of the Opéra Garnier in Paris.
On the ceiling of the auditorium, there is a large fresco painted by Jean-Baptiste-Claude Robin. It pays homage to the Arts, to the artisans that built the building, and to the city of Bordeaux. The late scene shows a woman, allegory of Bordeaux, protected by Hermes and Athena, and in the foreground, three wealth of the city : the wine, the sea trade and the slave.
The inside of the theatre was restored in 1991, and once again has its original colours of blue and gold. The Grand Théâtre de Bordeaux is one of the oldest wooden frame opera houses in Europe not to have burnt or required rebuilding.
Today, the theatre is home to the Opéra National de Bordeaux, as well as the Ballet National de Bordeaux which has many international dancers.
Sigmaringen Castle was first mentioned in the year 1077 in the chronicles of Petershausen monastery. The oldest parts of the castle are concealed beneath the alterations made during the 17th and the 19th centuries. The secret of the earliest settlement built on this defendable rock will never be fully revealed: large-scale excavation work would be necessary, which the extensive land development renders impossible. Judging from the many Roman remains unearthed in the area around Sigmaringen, the 12th century keep known as the 'Roman Tower' could be traced back to a Roman predecessor.
The castle remains that have been preserved (gate, great hall and keep) date back to the Staufer period around 1200. The castle remains were integrated into subsequent buildings. The foundations of the castle buildings are to a large extent identical to the surrounding castle wall.
These remains give us a good idea of how the castle might have looked during the 12th century.