The presence of a Jewish community if Aquitane can be traced back several centuries. This increased considerably after the promulgation of the decree of the Alhambra (March 31, 1492) by which the Catholic Monarchs decided to expel the Jews of the Iberian Peninsula. Fleeing persecution by the Inquisition, many of them decide to move beyond the Pyrenees, forming communities often active and successful in the south-west France. The Jewish community flourished in Bordeaux for centuries, providing some important names in the fields of literature, arts, commerce and politics.
During the creation of the Central Consistory of Napoleon, a regional Consistory was created in Bordeaux in 1808. A year later, a large synagogue was founded on Causserouge Street. Designed by the architect Arnaud Corcelle, it is loosely based on oriental architecture. The nerve center of the Jewish quarter, this monumental building was the victim of a terrible fire in 1873.
This loss made the representatives of the community determined to build a new sanctuary, whose implementation was entrusted to the architect André Burguet and, after his death to the architects Charles Durand and Paul Abadie. Work began in 1877 and was completed in 1882. On Sept. 5, the Great Synagogue of Bordeaux was inaugurated.
During the German occupation, the synagogue was pillaged and served as a place of internment for Jews who failed to escape in time. Nearly 1,600 families were imprisoned before being deported to the camps of Dachau and Auschwitz-Birkenau.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.