L'église Saint-Girons edifice is in the Gothic architectural style. Its grand size made it the largest Gothic church in Béarn in the 15th century. It is most famous for its heart of oak frame which represents the Medieval architecture style.
In the 16th century, Monein was a growing village with over 5,000 residents. The old Romanesque church Sant-Pée became too small for the residents, so it was decided to build a larger church next to the Lay Abbey (which no longer exists).
The size of the new church should be proportional to the wealth of the village; the Église Saint-Girons of Monein is over 61 m long, 16 m wide and 31 m high.
Construction of the church began in 1464 and was completed in 1530. During the 70 years of construction, residents paid for the work through numerous taxes and built the church with their own hands.
Queen Jeanne d'Albret of Navarre transformed the church into a Protestant church, however the church returned to Catholicism under the Édit d'intégration du Béarn (Edict of Integration of Béarn), promulgated by King Louis XIII of France (who was also Louis I of Navarre at that time). The church was then refurnished and it still retains a large Baroque-style altarpiece and 17th century organs from Toulouse today.
The Église Saint-Girons was restored in the late 20th and early 21st centuries. Its heart of oak frame is now a tourist attraction.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.