The Seventh Regiment Armory, also known as Park Avenue Armory, is a historic National Guard armory building. The building is a brick and stone structure built in 1880 and designed in the Gothic Revival style by Charles Clinton.
It is one of the two remaining armories in the United States to be built and furnished with private funds. It originally served as the headquarters and administrative building for the 7th New York Militia Regiment, known as the Silk Stocking Regiment due to the disproportionate number of its members who were part of the city's social elite. The building is known for detailed interior rooms that are furnished with ornamental woodwork, marble and stained glass.
The main facade of the administration building faces Park Avenue between 66th & 67th Streets, with the large vaulted space for the drill hall in the center of the block. The administration building has provisions for a reception room, a library, veterans room and staff offices for ten regimental companies. Architects and interior designers of the American Aesthetic Movement were commissioned to furnish the rooms and company quarters. The library is known as the Silver Room or 'Trophy Room' and was designed by Louis Comfort Tiffany who worked with architect Stanford White as a consultant on the project. The masterpiece of the armory building is the Veterans Room, also known as the Tiffany Room, with hand carved wood panelling and coffered ceiling in the Viking Revival style.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.