The Seventh Regiment Armory, also known as Park Avenue Armory, is a historic National Guard armory building. The building is a brick and stone structure built in 1880 and designed in the Gothic Revival style by Charles Clinton.
It is one of the two remaining armories in the United States to be built and furnished with private funds. It originally served as the headquarters and administrative building for the 7th New York Militia Regiment, known as the Silk Stocking Regiment due to the disproportionate number of its members who were part of the city's social elite. The building is known for detailed interior rooms that are furnished with ornamental woodwork, marble and stained glass.
The main facade of the administration building faces Park Avenue between 66th & 67th Streets, with the large vaulted space for the drill hall in the center of the block. The administration building has provisions for a reception room, a library, veterans room and staff offices for ten regimental companies. Architects and interior designers of the American Aesthetic Movement were commissioned to furnish the rooms and company quarters. The library is known as the Silver Room or 'Trophy Room' and was designed by Louis Comfort Tiffany who worked with architect Stanford White as a consultant on the project. The masterpiece of the armory building is the Veterans Room, also known as the Tiffany Room, with hand carved wood panelling and coffered ceiling in the Viking Revival style.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.