Church of Sâo Domingos (1576) has its origins in the convent of Santa Cruz founded by the Dominican Friar Bartolomeu dos Mártires (1514-1590), once the archbishop of Braga.
Bartolomeu dos Mártires is a famous prelate who took part in the Council of Trent (1545-1563) that opposed the 'heresies' of the Protestant Reformation and his statue, riding a donkey, stands in the square outside the church. In 1582, he received papal permission to resign as archbishop and retire to the convent in Viana do Castelo, where he lived largely in solitude for the remainder of his life.
The church is laid out with a single nave and transept in the Latin Cross style with chapels leading off to the sides.
The highlight of the ornate interior is the gilded, carved altar of Our Lady of the Rosary by José Alvares de Araújo dating from the late 18th century. Notice the finely rendered shells, flowers and volutes in the design that is a wonderful example of Portuguese Rococo.
The large interior of the church has a high, wooden ceiling done in pastel shades. Azulejos tile work depicting various Biblical scenes decorate the walls. The church contains several other ornate altars and chapels leading off from the nave. Above the main entrance is the organ reached by a dark, wooden staircase.
References:The Walls of Constantinople are a series of defensive stone walls that have surrounded and protected the city of Constantinople (today Istanbul) since its founding as the new capital of the Roman Empire by Constantine the Great. With numerous additions and modifications during their history, they were the last great fortification system of antiquity, and one of the most complex and elaborate systems ever built. They were also the largest and strongest fortification in both the ancient and medieval world.
Initially built by Constantine the Great, the walls surrounded the new city on all sides, protecting it against attack from both sea and land. As the city grew, the famous double line of the Theodosian Walls was built in the 5th century. Although the other sections of the walls were less elaborate, they were, when well-manned, almost impregnable for any medieval besieger.