Church of Sâo Domingos (1576) has its origins in the convent of Santa Cruz founded by the Dominican Friar Bartolomeu dos Mártires (1514-1590), once the archbishop of Braga.
Bartolomeu dos Mártires is a famous prelate who took part in the Council of Trent (1545-1563) that opposed the 'heresies' of the Protestant Reformation and his statue, riding a donkey, stands in the square outside the church. In 1582, he received papal permission to resign as archbishop and retire to the convent in Viana do Castelo, where he lived largely in solitude for the remainder of his life.
The church is laid out with a single nave and transept in the Latin Cross style with chapels leading off to the sides.
The highlight of the ornate interior is the gilded, carved altar of Our Lady of the Rosary by José Alvares de Araújo dating from the late 18th century. Notice the finely rendered shells, flowers and volutes in the design that is a wonderful example of Portuguese Rococo.
The large interior of the church has a high, wooden ceiling done in pastel shades. Azulejos tile work depicting various Biblical scenes decorate the walls. The church contains several other ornate altars and chapels leading off from the nave. Above the main entrance is the organ reached by a dark, wooden staircase.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.