The Church of Senhor do Socorro is an 18th-century Baroque sanctuary situated in the civil parish of Labruja, municipality of Ponte de Lima. The church is the centre of pilgrimages and festivals in honour of the Lord of Help/Distress, particularly on the first Saturday and Sunday of July, attracting many people from the Portuguese diaspora.
The construction of the church began in 1773. A votive offering was already occurring at the site by 1774. Work on the sanctuary continued the rest of this centre, with decoration and public artwork installed in the retable and chancel.
The sanctuary is situated on a mountain, alongside buildings that were used initially in the construction of the sanctuary (but today abandoned), used in the preparation of foods (goat and chicken) during the pilgrimages.
The frontispiece is flanked by two bell-towers, will corner pilasters and sectioned into three registers. The first register includes bay window and pediment; the second a clock; and the third register occupied by the bells. These towers are crowned by bulbous vaulted-ceiling. The church porch is open to a segmented arch topped by large window bay, with monumental shoulders bound by pediment and interrupted by a royal coat-of-arms. On either side of the large window are two niches with sculptors.
The church platform is surrounded by a wall, paced by pilasters and decorated statues, with two ponds and shelters flanking the central staircase. Behind the church, is a wavy monumental staircase, the front framed by pilasters and crowned by urns, with central fountain and statue. This area provides access to a projected series of chapels, although only one was constructed (a square plan) with corner pilasters, ranging from full arch, side windows, dome and small altar inside.
The hexagonal nave is decorated with granite wainscot and includes a triumphal arch in tile, with the barrel vault adorned by three painted medallions. On one end is the high choir, while in the opposite direction are two lateral and two collateral altars, with a pulpit with granite base, and staircase.
The interior chancel is circular with domed skylight, two carved altars, two doors and windows with carved altarpiece with painting of Jerusalem.
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Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.