The Horažďovice château is situated on the location of a Gothic fortress built in the 13th century by the Bavarians of Strakonice. In 1292, King Wenceslas II elevated Horažďovice to town status. In 1483, the local demesne became the property of the House of Švihovský of Rýzmberk, which rebuilt the Gothic castle into a Renaissance château. The only remnants of this reconstruction are a small inner courtyard with arcades and fresco paintings and a two-storey château tower.
Under the administration of Půta Švihovský, namely in 1503, water mains from Prácheň were established. They were in use until 1932. Following the Battle of White Mountain (1620), the demesne was seized from the House of Švihovský and acquired a new owner: In 1622 it was bought by Adam of Šternberk. In 1681-1692, the Šternberks rebuilt the château in Baroque style according to the designs of the Italian architect Solomini.
The result was the birth of the Large Hall with fresco paintings, the walling up of the arcades in the courtyard and the building of a château chapel and farm premises. In 1834, the demesne became the property of the Counts of Kinský of Vchynice and Tetov, who did not make any major adaptations. After the World War II, in 1945, the demesne was appropriated.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.