In 1185 the Knights of Nuzzin were first mentioned as the owners of the Nossen castle. In 1315, the Bishop of Meissen acquired the castle. It was sold in 1436 to Altzella Monastery. Until the dissolution of the monastery in 1540, the castle remained a retreat for the abbot.
After the Reformation, theformer monastic property of Altzella became the Nossen Office. It was given its seat at Nossen Castle, which the Elector had converted from 1554 with the rubble from the monastery into a representative Renaissance castle. The west wing with the three round towers reminding us of the Moritzburg Castle towers originate from that time as well as the 'Giant Hall', parts of which part serve still today as venues for events. The castle has preserved its present shape since the end of the 17th century.
In 1630, the castle became the seat of the bailiff and served mainly administrative purposes unti the 19th century. It was the seat of the tax office as well as the judicial office with the court and dungeons. From the 19th century on, it became increasingly abandoned and was, among other purposes, used as a subsidiary of the Weildheim correctional institution, as a Saxon regional museum and for residential purposes.
Nossen Office was dissolved in 1945. The Regional Museum ectended to further rooms in the west wing. In 1993, the Free State of Saxony took the castle over merging it into one administrative unit with the Altzella Monastery. Since 1996, permanent and special exhibitions have presented the eventful history of the place and commemorate the almost forgotten nobility of Saxony.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.