Building of St Olave's Church began in the 13th century and it was dedicated in 1292. It originally served the Estur family as a chapel to Gatcombe House. The manor later passed into the hands of the Worsley family who provided the church with both financial support and a number of Rectors. The font is probably early 13th-century.
The church is noted for its stained glass by William Morris, Dante Gabriel Rossetti, Ford Madox Brown and Edward Burne-Jones, dating from 1865 and 1866. Rossetti founded the Pre-Raphaelite Brotherhood with which Morris, Brown and Burne-Jones were associated.
A carved wooden military effigy with crossed legs in the style of the early 14th century lies in a recess in the chancel, on the north side of the altar. It has an angel by its head and a lion at its feet. Scholarly opinion is divided as to whether it is a genuine medieval figure, recut, restored and embellished at a later date; or an early modern concoction in deliberately archaic style.
At the west end of the church stands a monument to Captain Charles Grant Seely, eldest son and heir of Sir Charles Seely, 2nd Baronet, who was killed in action serving with the Isle of Wight Rifles at the Second Battle of Gaza in 1917. It takes the form of a tomb chest bearing a recumbent effigy of Seely, who is depicted in uniform and with legs crossed in allusion to his service as a modern-day 'crusader'. It was the final work of the eminent sculptor Sir Thomas Brock, and was unveiled in 1922. In 1927 it was vandalised by a local woman, Nellie Kerley, who appears to have been aggrieved by the contrast between the memorial's grandiosity and the relative neglect of the memory of her brother, who had also died in the war. The damage to the effigy's face and sword-hilt is still clearly visible.
The churchyard contains two Commonwealth war graves, of an officer (Flight Lieutenant Antony Basil Langton) and a sergeant (Sergeant William Reuben Cooper) of the Royal Air Force Volunteer Reserve from World War II.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.