Royal Casino of Murcia is a jewel of eclecticism located in the heart of the historical centre Murcia. It is a unique building from an architectural point of view, located in an emblematic place in the capital, Trapería Street, of which it is a hallmark. Its construction began in 1847. The building is a mixture of different artistic currents that coexisted in the second half of the 19th and early 20th century in Spain and was declared a national historical-artistic monument in 1983.
Through the entrance door and a small neo-Baroque lobby, you access the Arabiam Courtyard, whose spectacular neonazari style decoration required more than 20,000 sheets of gold leaf.
It is also worth noting the library, in which stands out its upper grandstand of carved woods, supported by casting brackets depicting flamingos and the adjoining ladies’ room that is decorated with female allegories of the goddess Selene painted on the ceiling.
The Ballroom is perhaps the best known and most splendid witness if the social life of Murcia for more than a century
It's neo-Baroque in style. The valuable paintings that embellish it - four midwives in the clouds - represent Music, Sculpture, Painting and Architecture. Four medallions represent the illustrious children of Murcia: Romea, Salzillo, Floridablanca and Villacís.
It is also worth noting the billiard room, and two meeting rooms with huge windows to the Trapería Street which the Murcians, with the fine humor that characterizes them, nicknamed las Peceras (fishbowls).
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.