Royal Casino of Murcia is a jewel of eclecticism located in the heart of the historical centre Murcia. It is a unique building from an architectural point of view, located in an emblematic place in the capital, Trapería Street, of which it is a hallmark. Its construction began in 1847. The building is a mixture of different artistic currents that coexisted in the second half of the 19th and early 20th century in Spain and was declared a national historical-artistic monument in 1983.
Through the entrance door and a small neo-Baroque lobby, you access the Arabiam Courtyard, whose spectacular neonazari style decoration required more than 20,000 sheets of gold leaf.
It is also worth noting the library, in which stands out its upper grandstand of carved woods, supported by casting brackets depicting flamingos and the adjoining ladies’ room that is decorated with female allegories of the goddess Selene painted on the ceiling.
The Ballroom is perhaps the best known and most splendid witness if the social life of Murcia for more than a century
It's neo-Baroque in style. The valuable paintings that embellish it - four midwives in the clouds - represent Music, Sculpture, Painting and Architecture. Four medallions represent the illustrious children of Murcia: Romea, Salzillo, Floridablanca and Villacís.
It is also worth noting the billiard room, and two meeting rooms with huge windows to the Trapería Street which the Murcians, with the fine humor that characterizes them, nicknamed las Peceras (fishbowls).
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.