The Roman Villa of Paturro is an archaeological site of a large Roman villa located in the mining Sierra de Cartagena-La Unión , in the vicinity of the town of Portmán. The excavations since 1969 have revealed the existence, in terraced sectors, of two well differentiated parts: One part, decorated with great luxury of materials, is dedicated to housing and another part dedicated to industrial exploitation.
The town of Paturro shows two different levels of occupation. A first level from the republican era in which the town would be linked to the exploitation of silver, lead and other metals from the Carthago Nova mines. A second level dates from the 1st and 2nd centuries AD in which the town appears associated with exploitations of garum (salted fish). The villa was abandoned in the 3rd century.
Among all the remains found, a large polychrome mosaic stands out (the largest in the Region of Murcia) that shows the figures of a deity and a peacock . Also noteworthy is the white marble head of a satyr. Numerous remains of parietal painting and coatings and architectural elements of marble of different types have also been found.
The large polychrome mosaic, with some other fragments from the excavations, is deposited in the Archaeological Museum of La Unión located in the hamlet of Portmán, while the rest of the materials are distributed between the archaeological museums of Cartagena and Murcia.
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Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.