St Ib's Church (Sankt Ibs kirke or Ibsker) is a fine 12th century Romanesque building. The church was originally known as Beati Jacobi (1335), in 1429 it became Sancti Jacobs kirke (St Jacob's Church) and later evolved to Ibs Kirke (Ib being the familiar Scandinavian form of Jacob) which in turn became Ibsker (ker meaning church). Today the parish is officially known as Ibsker.
The church consists of a Romanesque tower, nave, choir and apsis, all from the end of the 12th century. The porch was added some 200 years later while the extension to the north was constructed in 1867. The tower is of interest in view of its vaulting which can be seen at the western end of the nave, opening up from two arches. The interior is a fine example of the Romanesque style with whitewashed walls and arches of limestone and Bornholm marble. The cross section added in 1867 changed the character of the building as the nave's original wall was torn down but the church's Romanesque appearance was partly restored in 1964 when a new organ was installed along the axis of the old wall. During the restoration work, traces of frescoes or kalkmalerier were found but were too faint to warrant further attention.
The altarpiece consists of a painting from 1846 of Christ in the Garden of Gethsemane by the renowned Danish painter, C. W. Eckersberg. There is evidence of earlier altarpieces during the Roman Catholic period of the church's history, including the figure of the Virgin Mary, which now hangs over the font, and the crucifix on the nave's southern wall, both from around 1500. The altar's large candlesticks are from 1891 while its seven-armed cadelabra is from 1933. The oldest artefact inside the church is the font which is made of Gotland limestone. Standing at the western end of the church, it is in fact taller than it appears as its pedestal is hidden under the floor which, together with other layers of flooring, was added later. There are two bells in the tower, the smaller one from 1773 and the larger from 1822.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.