The Chapel of São Frutuoso is a pre-Romanesque chapel in the civil parish of Real, municipality of Braga. Based on historical accounts, and oral tradition, the site of the chapel was (around 560 AD) the location of a small Roman villa and, likely, a temple dedicated to the god Asclepius.
In 656, Fructuosus of Braga, then Bishop of Bracara, founded on this site the Monastery of São Salvador, ordering the construction of the chapel, as his tomb. In the biography of his life, São Valerius confirms as much, mentioning that the saint who founded the convent was buried there (between 665 and 666).
In the 9th-10th century, the chapel was reconstructed and redecorated. From a document dated in 883, the chapel was reconsecrated to São Salvador, also affirming the original construction to between 656 and 665.
Around the 12th century, following the Reconquista from the Arabs, with the revival of the Christian community and affinity for Saint Frutuoso of Braga, a cult to the saint was begun. In 1102, the Archbishop of Santiago de Compostela, D. Diogo Gelmires, transferred the mortal remains of Frutuoso to Compostela.
In 1523, Archbishop D. Diogo de Sousa founded the Franciscan convent of the Order of the Capuchos da Piedade, alongside the chapel of São Frutuoso, likely destroying the older Monastery of São Salvador.
In 1728, by order of Archbishop D. Rodrigo de Moura Teles, the beginnings of a reconstruction and remodelling of the Convent of São Francisco's Church is undertaken, with the chapel of São Frutuoso integrated into the Church. From this point forward, the Chapel is accessible from the main Church, owing to significant alterations; this changes include, the destruction of the main façade, the modification of the eastern and western arms of the Latin cross-design; and alterations to the internal columns, including changes to the baldachins.
The chapel underwent several restorations in the 20th century.
The chapel of São Frutuoso is an uniquely rare example of Visigothic structures in Portugal, based on a Greek-cross, which may have followed the design of a Byzantine mausoleum comparable to the Galla Placidia, in Ravenna.
The church is laid out in a Greek cross design, with a rectangular exterior, and semi-circular interior arms (to the north, south and east). From the exterior, the main volume of the chapel is surmounted by a tower-like cupola and cross, with the roof covered in rounded tiles. The limestone walls are surmounted by edged cornices, preceded by frieses, also in limestone, in the shape of rope, semi-circles, six-pointed rosettas and fleur-de-lis. The collateral façades are decorated with blind arcades, alternating between angular and double rounded-frieses, which are repeated in the tower cupola, and intersected by small round windows. The principal façade, which was the main entrance at one time, is highlighted by a grand arch portico, preceded by staircase. In northern part of the eastern arm of the chapel is an arcosolium, where the mortel remains of Saint Fructuosus was originally entombed, and exposed to the exterior.
The inner masonry walls are defined by round arches, supported by large pillars, above which are large decorated friezes, with triple horseshoe-shaped arches, and a larger central arch. The chapel's arms are crossed in the middle of the wall by a narrow ribbon of limestone. While the interior arms are supported by wooden joists, the interior part of the hemispherical dome is plastered and painted white. The granite floor slabs are inscribed with coat of arms, and preceded from the main church by a staircase to the lower chapel.
References:From its origin as a small stronghold built by the ancient Illyrian tribe Dalmatae, becoming a royal castle that was the seat of many Croatian kings, to its final development as a large fortress during the Ottoman wars in Europe, Klis Fortress has guarded the frontier, being lost and re-conquered several times. Due to its location on a pass that separates the mountains Mosor and Kozjak, the fortress served as a major source of defense in Dalmatia, especially against the Ottoman advance, and has been a key crossroad between the Mediterranean belt and the Balkan rear.
Since Duke Mislav of the Duchy of Croatia made Klis Fortress the seat of his throne in the middle of the 9th century, the fortress served as the seat of many Croatia"s rulers. The reign of his successor, Duke Trpimir I, the founder of the Croatian royal House of Trpimirović, is significant for spreading Christianity in the Duchy of Croatia.