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Paulo Cesar (2 years ago)
The city center is very beautiful.
The city center is very beautiful.
The Fountain of Campo das Hortas is an example of the model of fountain seeded throughout the 16th and 17th century Portugal, which was first promoted in 1554 by João Lopes o Velho in Viana do Castelo.
On 8 March 1594, a contract was issued, by Archbishop Agostinho de Jesus for the Archdiocese of Braga, to master-mason Manuel Luis to construct a fountain in the Campo de Santa Ana. There was no indication if the project was completed within the year or pre-defined time. By the 19th century, the fountain was relocated to the Campo das Hortas.
The fountain is implanted in a harmonious location, isolated in the centre of garden space fronting the Arco da Porta Nova. Built on an octagonal base, it consists of alternating four-steps divided by green-space, with a circular tank at the top of the staircase. The circular tank is marked by a column with bowl, decorated in grotesque animals ordered by six spouts, which is repeated in the smaller bowl. From the second segment the column is decorated by three sections: the first with six figures at the spouts, the second with the coat-of-arms of Archbishop D. Baltasar Limpo, and the third a cylindrical body decorated with four rounded spirals. The top of the spire is decorated with an armillary sphere and cross in metal.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.