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Rudiae is presently an archaeological park beside the Via San Pietro in Lama that runs south-west from the city of Lecce. The place was identified as the former home of the poet Ennius by the Renaissance Humanist, Antonio de Ferraris.
The ancient site of the city was first settled from the late ninth or early eighth centuries BCE by the Messapians. In the late sixth century BCE it developed in importance and, even after it had been partially Hellenised during the period of Magna Graecia, it still retained its native traditions. According to Aulus Gellius, the poet Ennius referred to the linguistic and cultural heritage given him by the city in asserting that he had 'three hearts', Greek, Oscan and Latin (Quintus Ennius tria corda habere sese dicebat, quod loqui Graece et Osce et Latine sciret).
Rudiae is identified with the archaeological remains found in the immediate outskirts of Lecce. These comprise traces of an amphitheatre, a necropolis and two city walls built of tuff. In the past the walls were towered and defended by a ditch 4 km long. Judging by the extent of these, its entire area covered some 100 hectares, twice the size of nearby Lupiae (as Lecce was then called) in the Roman period. Later the city lost importance and by the first century CE, according to Silius Italicus, was reduced to a modest village even as its neighbour was growing in size and importance.
From the archaeological standpoint, however, Rudiae seems to have played the role of stylistic and distribution centre for funerary pottery over a considerable period. It is recognised as the most important site for both quantity and quality of such vases used in the Messapian region. Almost all local discoveries are housed in the Sigismondo Castromediano Museum in Lecce.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.