The Szeged Synagogue (Szegedi zsinagóga) was built in 1902 and designed by the Jewish Hungarian architect Lipót Baumhorn (1860–1932), whose work is considered to contain the finest examples of the unique fin de siècle Hungarian blending of Art Nouveau and Historicist styles sometimes known as Magyar style. It served Szeged's large Neolog community.
The building's interior, with its 48.5 meters tall domed ceiling, draws on multiple historical styles to produce its overall Art Nouveau/Moorish Revival style. The rib-like wall above the organ has Gothic origins, while the columns supporting the galleries are Roman.
The interior of the great dome, and all of the building's stained glass, are the work of the artist Miksa Róth.
The design of the Torah Ark alludes to the Holy of Holies in the Temple of Solomon by using sittimwood from the banks of Nile, the wood called for in the building of the Temple of Solomon in 1 Kings. The hinges are in the shape of the Hyssop plant, a plant used in the ancient Temple service.
The Szeged Synagogue is the second largest in Hungary after the Dohány Street Synagogue in Budapest, and the 4th largest in the world.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.