Csenger grew to become one of the most significant towns in the historical Szatmár County during the Middle Ages. It is probable that the construction work of the church began after 1322, and was completed in the second quarter of the century. Csenger’s medieval church is the only architectural heritage of the Great Plain’s medieval monumental architecture.
A crescent-shaped triumphal arch divides the rectangular nave from the sanctuary which is formed by five sides of an octagon. The sanctuary has a wagon roof, and a fabulous painted cassette-style wooden ceiling covers the nave. A monumental hexagon-shaped six-storey tower is attached to the church, which has been preserved in its original state.
The painted cassette-style wooden ceiling of the nave, which was created in 1745, is as well-known in Europe as it is in Hungary. The floral motifs on it refer to the earliest periods of Hungarian history. The wooden ceiling consists of 9x14 complete cassettes and a half row of cassettes. The oldest relic of this kind in the Upper Tisza region from 1745. The painted motifs of its square-shaped cassettes preserve Renaissance traditions.
The current pulpit has been installed almost exactly in its medieval position. Its bricked breast-wall is decorated with geometric mortar panels. The “crown” of the pulpit is far more simple and lower in position, compared to the baroque relics of the churches in the surroundings. (It is a sound reflector rather than a crown.) It was created in 1840, in Classicist style. On its ceiling, above the head of the pastor, the dove of the Holy Spirit levitates. The gallery and the pews were created in the 18th century. It is worth walking up and adoring the 200-year-old oak pews.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.