The Château de Gizeux is originally dating from the Middle Ages, but much altered over the centuries. Archives indicate the existence of a wooden fortress built in the 11th century in the actual place of the castle. The most remote constructions that we can find nowadays are the entry tower, the right wing and the enclosure. The château belonged to the family of the poet Joachim du Bellay from 1315 to 1660. Later it became the property of several marquises of Gizeux from the family of Contades.
In 1789, during the French Revolution, Prince Louis Gabriel de Contades (1759-1825), opposing the revolutionaries, had to flee from French soil and find refuge in Saint-Domingue. He returned to Gizeux in 1801.
Gizeux represents the mixed medieval and Renaissance style. The château has two large galleries of paintings: the Galerie François Ier (François I) decorated with Italian paintings from the start of the 17th century, and the Grande Galerie des Châteaux decorated with late 17th century paintings.
The park was established in 1829. Nearby a church houses the Du Bellays' splendid tombs. The extremely rare 17th century orants were made of white marble by Ghislain (known as Cambrai), director of the Académie royale de peinture et sculpture in Paris. The Château de Gizeux has been listed since 1945 as a monument historique by the French Ministry of Culture.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.