Vänge Church dates from the Middle Ages, and the oldest parts of the building date from the 13th century. It was successively expanded during the 14th and 15th centuries. The latest medieval additions - among them, the brick vaults inside the church - were probably funded by a local guild called the Guild of St. John the Baptist, that existed in Vänge at the time. The church however derives much of its present-day appearance from a reconstruction and enlargement carried out in 1882-86, during which the church was re-made in Neo-Romanesque style both internally and externally. The reconstruction was carried out after the parish had been merged with neighbouring Läby parish, and the new congregation needed a larger church. In 1935 an attempt to restore the interior to its medieval appearance was carried out. During this time, lime frescos from the 1480s by Albertus Pictor (c.1440–c.1507) were uncovered.
The church has a baptismal font dating from the 12th century. The pulpit was added in 1935 and is adorned by three sculptures by Anton Lundberg. The altarpiece from 1935 was painted by Eva Bagge (1871-1964).
West of the church lies the parsonage, which consists of a main building (built 1849-50) and two wings (18th century) as well as a well-preserved tithe barn. The former church school is also located nearby. All together, these buildings constitute an unusually well-preserved ensemble.
A runestone (Uppland Runic Inscription 905) is located adjacent to the church.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.