Château de Landreville was built in the early 13th century and remodelled in the middle of the 16th century. It is a rectangular 'maison forte' (strong house) flanked by four cylindrical towers with 'pepper-pot' roofs, surrounded by water-filled moats, with a six hectares park, stables and two pavilions.
It is a rare example of a still practically intact manorial residence of the pre-Renaissance Ardennes region.
In 800 years of history it has witnessed the lives of many families, including the Landrevilles, Grandprés, Chennerys, Beauvais, Maillarts, Meixmorons. The portrait of Claude François de Maillart, lord and marquis de Landreville, was painted by Nicolas de Largillière around 1735.
Construction of the current building dates from the middle of the 16th century, the date of 1567 being seen on one of the chimneys. The building plan is typical since the 15th century, with a rectangular home confined by four round towers. The moat remains visible on three sides.
On three floors, rectangular fire holes are let into the towers to provide protection for the four sides. They still have the support bars that made it possible to stabilise the weapon.
The main door is decorated with embossed designs and statuettes of caryatids, characteristic of the French Renaissance after 1550.
The lower stage is entirely vaulted in stone. In the kitchen, the vaulting is supported by a single pillar in the centre, as was usual. One of the towers contains a spiral staircase. The two floors each include French-style ceilings and chimneys. The two chimneys on the first floor were partly modified in the 19th century.
The buildings which surround the castle are all more recent. The manager's house carries the year 1773. A symmetrical building is an addition from the end of the 19th century. At that time, the buildings located at the south-western entry to the castle were destroyed. The castle is testimony to the military architecture of 16th-century Ardennes.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.