The Château de Gerbéviller site has been occupied since at least the 12th century. The present buildings date from the 17th to 19th centuries, and include the chateau, a theater, a chapel, a pavilion and a unique water nymphaeum.
The present chateau was built by Camille de Lambertye-Gerbéviller during the reign of Louis XV (1710–1774). It was built sometime before 1750 by Germain Boffrand.
The Palatine Chapel, opposite the castle outside the domain, has changed considerably over the centuries. There are records of a chapel in 1050, when the house of Lorraine rebuilt part of the choir. Around 1326 Jen Wisse built a nave and the sepulchral chapel that forms today's choir. It holds the tombs of the lords of Gerbéviller. It was enlarged in the 15th century, and used as a parish church. The chapel was again enlarged in the 17th century. Christine Claude du Châtelet gave it to the Carmelites in 1618. The chapel and Carmelite convent were sold as national property during the Revolution.
The Marquis Ernest de Lambertye (1789-1862) redesigned the chapel almost entirely, thinking of offering it as an asylum for Pope Pius IX, who was in danger of being driven from his Papal States at the time of the unification of the Kingdom of Italy.
The chateau and chapel were badly damaged during World War I, but have been repaired. They have been protected under various designations since 1945, and since February 1996 have had an overall designation as a historical monument. The park of the chateau with its views over the valley of Mortagne has been a classified natural site since 1999.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.