The Château de Gerbéviller site has been occupied since at least the 12th century. The present buildings date from the 17th to 19th centuries, and include the chateau, a theater, a chapel, a pavilion and a unique water nymphaeum.
The present chateau was built by Camille de Lambertye-Gerbéviller during the reign of Louis XV (1710–1774). It was built sometime before 1750 by Germain Boffrand.
The Palatine Chapel, opposite the castle outside the domain, has changed considerably over the centuries. There are records of a chapel in 1050, when the house of Lorraine rebuilt part of the choir. Around 1326 Jen Wisse built a nave and the sepulchral chapel that forms today's choir. It holds the tombs of the lords of Gerbéviller. It was enlarged in the 15th century, and used as a parish church. The chapel was again enlarged in the 17th century. Christine Claude du Châtelet gave it to the Carmelites in 1618. The chapel and Carmelite convent were sold as national property during the Revolution.
The Marquis Ernest de Lambertye (1789-1862) redesigned the chapel almost entirely, thinking of offering it as an asylum for Pope Pius IX, who was in danger of being driven from his Papal States at the time of the unification of the Kingdom of Italy.
The chateau and chapel were badly damaged during World War I, but have been repaired. They have been protected under various designations since 1945, and since February 1996 have had an overall designation as a historical monument. The park of the chateau with its views over the valley of Mortagne has been a classified natural site since 1999.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.