The Château de Montpoupon is named after a Germanic tribe, the Poppo, who settled here on the rocky promontory at the time of Charlemagne. The site thus came to be known as Mons Poppo (the hill of the Poppos).With the passage of time this evolved into Montpoupon.
At the end of the Middle Ages, the château passed into the hands of the Lords de Prie et de Buzançais, a family who were to leave their mark. In 1460, Antoine de Prie and his wife, Madeleine d’Amboise restored the château which had been left in poor condition at the end of the Hundred Years War.
In 1763 the Marquis de Tristan, Mayor of Orléans acquired the property. The Marquis turned his hand to restoring the château to a semblance of its former glory. However, his initiative was curtailed by the onset of the Revolution; fortunately despite the terror of the time, only the chapel was destroyed and the château remained intact. In 1840 the château underwent further transformation at the hands of its new owner, M. de Farville with the construction of the present outbuildings.
Finally, in 1857, Jean Baptiste de la Motte Saint Pierre acquired the estate. At the turn of the century the family began the work which was to restore the château to the Renaissance appearance it has to-day. In memory of his family, the present owner, the Count of Louvencourt, nephew of the above, has set up the magnificent Musée du veneur (Hunting Museum) in the outbuildings.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.