Monument to the Revolution is a World War II memorial sculpture by Dušan Džamonja, located at one of the highest peaks of Kozara mountain, Bosnia and Herzegovina. It is dedicated to the fierce battle and 2,500 Yugoslav partisan fighters and 68,500 predominantly Serb civilians killed or deported to Ustaše concentration camps during the German-Ustaše-Hungarian Kozara Offensive from June to July 1942.
The initiative for the monument's construction began in 1969 and Dušan Džamonja won the first prize for his project. Construction of the monument was completed in 1972.
Džamonja himself described the monument as an interplay of light and darkness; this cylindrical-shaped monument is composed of twenty vertical segments, each being characterized by deep-set concrete pillars (positives) and hollows (negatives). While negatives symbolize death, positives represent victory and life. Horizontally-positioned concrete blocks symbolize enemy forces who are trying to destroy life and victory but are unsuccessful.
Other parts of the memorial complex include a museum and the memorial wall with the names of 9,921 Yugoslav partisans killed in battles on Kozara during World War II in Yugoslavia.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.