Partly built starting in 1145, and then reconstructed over a 26-year period after the fire of 1194, Chartres Cathedral marks the high point of French Gothic art. The vast nave, in pure ogival style, the porches adorned with fine sculptures from the middle of the 12th century, and the magnificent 12th and 13th century stained-glass windows, all in remarkable condition, combine to make it a masterpiece.
The construction project used the plans laid out by the first architect in order to preserve the harmonious aspect of the cathedral. Work began first on the nave and by 1220 the main structure was complete, with the old crypt, the west towers and the west facade incorporated into the new building. On October 24, 1260, the cathedral was finally dedicated in the presence of King Louis IX and his family. Chartres Cathedral was never destroyed nor looted during the French Revolution and the numerous restorations never have altered its glorious beauty. It always stayed the same: a great triumph of Gothic art.
Not only is Chartres Cathedral one of the greatest achievements in the history of architecture, it is almost perfectly preserved in its original design and details. In addition to its architectural splendor, Chartres Cathedral has been a major pilgrimage destination since the early Middle Ages. Its venerable history, exquisitely preserved architecture, and centuries of fervent devotion make for an atmosphere of awe and holiness that impresses even the most nonreligious of visitors.
The cathedral was added to UNESCO's list of World Heritage Sites in 1979.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.