Cáceres is the capital and most populated municipality of the province of Cáceres. The city was declared a World Heritage City by UNESCO in 1986 because of the city's blend of Roman, Moorish, Northern Gothic and Italian Renaissance architecture. Thirty towers from the Islamic period still stand in Cáceres, of which the Torre del Bujaco is the most famous.
Cáceres has been a trade route city and a political centre of the local nobles for many centuries. Since prehistoric times, people from different cultures have gathered in Cáceres and have shaped its strong historical roots. Pre-Roman settlements occupied the original plot followed by the Roman, Arab, Jewish and Christian people.
The influence and remains of these cultures can be observed and studied in the walled ensemble of Cáceres, with a wide typological and constructive variety ranging from popular architecture to palace-houses, with their characteristic sobriety and towers of the nobility of Gothic and Renaissance times. The city's history of battles between Moors and Christians is also reflected in the architecture, which is a blend of Roman, Islamic, Northern Gothic and Italian Renaissance styles. This property also includes noteworthy religious buildings such as churches, hermitages and convents.
Cáceres is an outstanding example of a city that was ruled from the 14th to 16th centuries by powerful rival factions, reflected in its dominant spatial configuration of fortified houses, palaces and towers. This city in Extremadura bears the traces of highly diverse and contradictory influences. The urban design in the area inside the walls is an example of a medieval city, which has shaped its current aspect over centuries.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.