The cappella dei Mercanti, Negozianti e Banchieri ('chapel of merchants, shopkeepers, and bankers') is a Catholic chapel in the historic city center of Turin.
The chapel, whose construction was authorized during the 16th century, was built at the end of the 1600s and most of the artwork it contains originated in the 1600 and 1700s, in the baroque style.
The walls of the chapel present numerous seventeenth-century paintings, all inspired by the theme of the Biblical Magi. The altar dates back to 1797 and is the work of Michele Emanuele Buscaglione. On either side there are two reliquaries, while on the wall there are three paintings by the Jesuit painter Andrea Pozzo. The baroque frescoed ceiling by Legnanino depicts Heaven, prophets, sibyls and biblical episodes and dates to 1694-1695. The organ on the wall opposite the altar dates back to the eighteenth century.
The sacristy contains several sacred objects, but above all the famous Perpetual Calendar by Giovanni Plana, one of the oldest calculator machines (it is equipped with rotating drums and a transmission system that allows the correct combination of the various information contained in the system) which allows precise calendrical calculation over a period of 4000 years starting from year zero (including the calculation of lunations, days of the week and Christian holidays).
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.