The Royal Library of Turin (Biblioteca Reale di Torino) is a library located within the ground floor of the Royal Palace of Turin. The library contains approximately 200,000 print volumes, 4,500 manuscripts, 3,055 drawings, 187 incunabula predating 1501, 5,019 sixteenth century books, 20,987 pamphlets, 1,500 woks on parchment, 1,112 periodicals, and 400 photo albums, maps, engravings, and prints.
Since his ascent to the throne of the Kingdom of Sardinia in 1831, king Charles Albert wished to boost the cultural standing of the nation, and he did so through the introduction of a series of reforms and the establishment of a number of institutions. The library was then founded in 1842 as one of such institutions, with one of its aims being that of grouping and safeguarding manuscripts collected by the House of Savoy. The library was fitted out by painter and decorator Pelagio Palagi. In 1893 a Russian collector by the name of Theodore Sabachnikoff donated Leonardo da Vinci's Codex on the Flight of Birds to the library's collection as a gift to the king. Further works by Leonardo held by the library include his presumed self-portrait, his study for the angel in his Virgin of the Rocks, and his study for the angel in Verrocchio's The Baptism of Christ.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.