Casale Monferrato Cathedral is dedicated to Saint Evasius. It is the episcopal seat of the Diocese of Casale Monferrato. The present Romanesque and Gothic structure was first consecrated in 1107 or 1108, but a previous church from the 9th century stood on the site.
The cathedral has a narthex. The interior has five naves, of which the central one is marked by tall polychrome columns rising two storeys. The ceilings are frescoed, sometimes sky blue.
On the south, the first chapel houses an 18th-century marble statuary group depicting the Ecstasy of Mary Magdalen by Giovanni Battista Bernero. A small column monogrammed with the sign of Christ is the spot where the town's patron saint, Evasius, was martyred. Tradition maintains that if someone puts his or her ear to the column, it is possible to hear the blood of the saint flowing.
The south arm of the transept opens onto the elliptical Chapel of Saint Evasius (1793), a Baroque feature which houses the relics of the saint in a silver statue, restored despite looting. The apse of the cathedral has an 11th-century crucifix. The ceiling of the apse was frescoed by Costantino Sereno, depicting Christ in Glory with Angels.
Behind the church is a museum of religious artworks.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.