St. Michael's Golden-Domed Monastery is located on the edge of the bank of the Dnieper River, northeast of the Saint Sophia Cathedral.
Originally built in the Middle Ages by the Kievan Rus' ruler Sviatopolk II Iziaslavych, the monastery comprises the Cathedral church, the Refectory of St. John the Divine, built in 1713, the Economic Gates, constructed in 1760 and the monastery's bell tower, which was added c. 1716 – c. 1719. The exterior of the structure was rebuilt in the Ukrainian Baroque style in the 18th century while the interior remained in its original Byzantine style. The original cathedral was demolished by the Soviet authorities in the 1930s, but was reconstructed and opened in 1999 following Ukrainian independence in 1991.
The religious architecture of St. Michael's Golden-Domed Monastery incorporates elements that have evolved from styles prevalent during Byzantine and Baroque periods. The St. Michael's Golden-Domed Cathedral is the monastery's main church, built in 1108–1113 at the behest of Sviatopolk II Iziaslavych. The cathedral was the largest of three churches of St. Demetrius Monastery.
The ancient cathedral was modeled on the Assumption Cathedral (Kyiv) of the Monastery of the Caves. It used the Greek cross plan prevalent during the time of the Kyivan Rus, six pillars, and three apses. A miniature church, likely a baptistery, adjoined the cathedral from the south. There was also a tower with a staircase leading to the choir loft; it was incorporated into the northern part of the narthex rather than protruding from the main block as was common at the time. It is likely that the cathedral had a single dome, although two smaller domes might have topped the tower and baptistery. The interior decoration was lavish as its high-quality shimmering mosaics, probably the finest in Kyivan Rus, still testify.
When the medieval churches of Kyiv were rebuilt in the late 17th and early 18th centuries in the Ukrainian Baroque style, the cathedral was enlarged and renovated dramatically. By 1746, it had acquired a new baroque exterior, while maintaining its original Byzantine interior. Six domes were added to the original single dome, but the added pressure on the walls was counteracted by the construction of buttresses. The remaining medieval walls, characterised by alternative layers of limestone and flat brick, were covered with stucco. Ivan Hryhorovych-Barskyi was responsible for window surrounds and stucco ornamentation. Inside the church, an intricate five-tier icon screen funded by Hetman Pavlo Skoropadsky and executed by Hryhoryi Petriv from Chernigov was installed in 1718. During the 18th and 19th centuries, almost all of the original Byzantine mosaics and frescoes on the interior walls were painted over. Some restoration work on the mosaics and frescoes that remained unpainted was carried out towards the end of the 19th century. However, there were no major and serious investigations of the walls done, so it is possible that medieval frescoes or mosaics were preserved under the newer coats of plaster.
In August 1963, the preserved refectory of the demolished monastery without its Baroque cupola was designated a monument of architecture of the Ukrainian SSR. In 1973–1982 restoration of the Refectory Church of St. John the Theologian (the only building that survived the demolition of the 1930s) was held.
The refectory of St. John the Divine is a rectangular brick building which contains a dining hall for the brethren as well as several kitchens and pantries. The Church of John the Theologian adjoins it from the east. The outside is segmented by pilasters and displays window surrounds reminiscent of traditional Eastern Orthodox church architecture. The refectory was erected in 1713, taking the place of the original wooden refectory. Its interior was overhauled in 1827 and 1837 and the restoration work was undertaken from 1976 to 1981.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.