St Volodymyr's Cathedral is one of the city's major landmarks and the mother cathedral of the Ukrainian Orthodox Church. In 1852, Metropolitan Philaret of Moscow suggested a large cathedral should be built in Kyiv to commemorate the 900th anniversary of the baptism of Kievan Rus by prince Vladimir I of Kiev (St. Volodymyr). People from all over the Russian Empire started donating to this cause, so that by 1859 the cathedral fund had amassed a huge sum of 100,000 rubles. The Kyiv Pechersk Lavra produced one million bricks and presented them to the cathedral as well. The design was executed in neo-Byzantine style initially by the architects I. Schtrom, P. Sparro, R. Bemhardt, K. Mayevsky, V. Nikolayev. The final version of the design belongs to Alexander Vikentievich Beretti. It is a traditional six-piered, three-apsed temple crowned by seven cupolas. The height to the cross of the main dome is 49 m.
The colourful interior of the cathedral is particularly striking. Its mosaics were executed by masters from Venice. The frescoes were created under the guidance of Professor Adrian Prakhov by a group of famous painters: Wilhelm Kotarbiński, Mikhail Nesterov, Mykola Pymonenko, Pavel Svedomsky, Viktor Vasnetsov, Mikhail Vrubel, Viktor Zamyraylo (1868-1939), and others. The painting of the Holy Mother of God by Vasnetsov in the altar apse of the cathedral impresses by its austere beauty.
The entrance door is adorned with relief bronze sculptures of St. Olga (Princess Olga of Kyiv) by sculptor Robert Bakh and St. Vladimir (sculptor H. Zaieman) against a blue background. The iconostasis is carved from the white marble brought from Carrara. The cathedral was completed in 1882, however, the paintings were fully completed only in 1896.
The cathedral risked damage during the Polish-Soviet War in 1920. During the Soviet period, the cathedral narrowly escaped demolition, but not closure. Until the Second World War it served as a museum of religion and atheism. The relics of St Barbara, a martyr of the 3rd century AD, were transferred to St Volodymyr's from the St. Michael's Golden-Domed Monastery before it was destroyed by the Bolsheviks, and have remained there since.
After the war the cathedral was reopened and since remained continually open. It was then the main church of the Kyiv Metropolitan See of the Ukrainian Exarchate. The cathedral was one of the few places in the USSR where tourists could openly visit a working Orthodox Church. It saw the revival of Orthodox religion in 1988 when the millennium celebration of the Baptism of Rus' marked a change in Soviet policy on religion.
After the dissolution of the Soviet Union, St Volodymyr's Cathedral ownership became an issue of controversy between two denominations that both claim to represent Ukrainian Orthodox Christianity - the Ukrainian Orthodox Church, a church with an autonomous status under the Moscow Patriarchy, and the newly established Ukrainian Orthodox Church - Kyiv Patriarchy, which, ultimately, won the control over the cathedral.
Spiritual leaders of the Ukrainian Orthodox Church of Kyiv Patriarchy continue to conduct religious services and prayers in St. Volodymyr's Cathedral. All the ceremonies are conducted in Ukrainian, accompanied during religious holidays by the Cathedral choir, which is often joined by opera singers.
References:Saint-Georges de Boscherville Abbey is a former Benedictine abbey. It was founded in about 1113 by Guillaume de Tancarville on the site of an earlier establishment of secular canons and settled by monks from the Abbey of Saint-Evroul. The abbey church made of Caumont stone was erected from 1113 to 1140. The Norman builders aimed to have very well-lit naves and they did this by means of tall, large windows, initially made possible by a wooden ceiling, which prevented uplift, although this was replaced by a Gothic vault in the 13th century. The chapter room was built after the abbey church and dates from the last quarter of the 12th century.
The arrival of the Maurist monks in 1659, after the disasters of the Wars of Religion, helped to get the abbey back on a firmer spiritual, architectural and economic footing. They erected a large monastic building one wing of which fitted tightly around the chapter house (which was otherwise left as it was).