Vydubychi Monastery is an historic monastery in the Ukrainian capital Kyiv. The monastery was established between 1070 and 1077 by Vsevolod, son of Yaroslav the Wise. It was a family cloister of Vsevolod's son Vladimir Monomakh and his descendants.
The legend has it that Vladimir ordered the wooden figures of Perun (the Thunder God) and other pagan gods dumped into the Dnieper River during the mass Baptism of Kyiv. The disheartened Kyivans, though accepting the baptism, ran along the Dnieper River calling for the old gods to emerge from water.
The monastery was continuously protected by Ukraine's hetmans and aristocratic families. Hetman Ivan Mazepa in 1695 forbade the Vydubytskyi Monastery's neighbors and placed it under the guard of Starodub Regiment Col. Mykhailo Myklashevskyi, who established the Baroque-style Church of St. George and new Transfiguration Refectory. Hetman Danylo Apostol subsidised construction of the monastery's bell tower. In the 18th century the help of Hetman Kyrylo Rozumovsky's ensured the new properties for the Vydubychi.
Since the late 1990s, the monastery is administered by the Ukrainian Orthodox Church - Kyiv Patriarchate. The Vydubychi Church Choir was among the first choirs in newly independent Ukraine to reinstate singing of the Divine Liturgy in the Ukrainian language.
Only a few churches of this monastery have survived over the centuries. One of these is the Collegiate Church of Saint Michael, which was built on behest of Vsevolod I and partly reconstructed between 1766 and 1769 by Russian architect M. I. Yurasov. The Ukrainian baroque structures include the magnificent 5-domed St. George Cathedral, Transfiguration of the Saviour Church and refectory, all dating from 1696-1701. A belltower, commissioned by the Hetman Danylo Apostol, was erected in 1727-33 and built up in 1827-31.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.