National Museum Taras Shevchenko in Kyiv is dedicated to the life and work of the painter and national poet, Taras Shevchenko.
The museum and its collection originated as part of an initiative by friends of Shevchenko to preserve his legacy shortly after his death. By 1897 the collection had grown and it was collectively transferred to the Museum of Ukrainian Antiquities, which was later merged into Chernihiv Historical Museum (uk). In 1926 the Shevchenko Institute in Kharkiv was founded, which became the home of the collection, and an initial Taras Shevchenko Museum operated as a section of the manuscripts department of the Institute.
In 1939, the Council of People's Commissars of the USSR decided to fund a major retrospective exhibition, and by 1940 the decision was made to found a central museum commemorating the artist. This exhibition was hosted at the Mariinskyi Palace and opened in 1941, but closed during the Second World War, with some works evacuated to Novosibirsk during the German occupation.
The museum opened in a specially converted building on 24 April 1949.
The collection comprises over 72,000 objects, including works of art and archival material. Works from the collection have been loaned to museums in Latvia, Russia and the Czech Republic.
The museum exhibits works by famous painters, sculptors, writers and composers from Shevchenko's period, who are connected to his life and work. These include: Karl Bryullov, Mykhailo Derehus, Ivan Jishakevych, Vasyl Kasiyan, Fotij Krasyzkyj, Ivan Kramskoi, Mikhail Mikeshin, Ilya Repin, Mykola Samokysch, Ivan Soschenko, Vasily Sternberg, Karpo Trochymenko, Vasily Tropinin and Konstantin Trutovsky. Sculptors in the collection also include: Peter Kapschutschenko, Peter Clodt von Jürgensburg, Vladimir Beklemishev and others.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.