House with Chimaeras or Horodecki House is an Art Nouveau building located in the historic Lypky neighborhood of Kyiv, the capital of Ukraine. Situated across the street from the President of Ukraine's office at No. 10, Bankova Street, the building has been used as a presidential residence for official and diplomatic ceremonies since 2005. The street in front of the building is closed off to all automobile traffic, and is now a patrolled pedestrian zone due to its proximity to the Presidential Administration building.
The Polish architect Władysław Horodecki originally constructed the House with Chimaeras for use as his own upmarket apartment building during the period of 1901–1902. However, as the years went by, Horodecki eventually had to sell the building due to financial troubles, after which it changed ownership numerous times before finally being occupied by an official Communist Party polyclinic until the early 2000s. When the building was vacated, its interior and exterior decor were fully reconstructed and restored according to Horodecki's original plans.
The building derives its popular name from the ornate decorations depicting exotic animals and hunting scenes, which were sculpted by Italian architect Emilio Sala, since Horodecki was an avid hunter. The name does not refer to the chimaera of mythology, but to an architectural style known as chimaera decoration in which animal figures are applied as decorative elements to a building. Horodecki's unique architectural style earned him praise as the Antoni Gaudí of Kyiv.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.