Úbeda is a municipality of Spain located in the province of Jaén. Both this town and the neighbouring Baeza benefited from extensive patronage in the early 16th century resulting in the construction of a series of Renaissance style palaces and churches, which have been preserved ever since. In 2003, UNESCO declared the historic centres and landmarks of these two towns a World Heritage Site.
The most outstanding feature of the city is the monumental Vázquez de Molina Square, surrounded with imposing Renaissance buildings such as the Palacio de las Cadenas (so named for the decorative chains which once hung from the façade) and the Basílica de Santa María de los Reales Alcázares. The Chapel of the Savior or Capilla del Salvador was constructed to house the tombs of local nobility. Both the interior and exterior are decorated; for example, the interior has elaborate metalwork screen by the ironworker Bartolomé de Jaen. The Hospital de Santiago, designed by Vandelvira in the late 16th century, with its square bell towers and graceful Renaissance courtyard, is now the home of the town's Conference Hall. Úbeda has a Parador hotel, housed in a 16th-century palace which was the residence of a high-ranking churchman of that period.
The city possesses 48 monuments, and more of another hundred of buildings of interest, almost all of them of Renaissance style.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.