Cézanne's studio (Atelier de Cézanne) is a museum about the painter Paul Cézanne, in Aix-en-Provence in Southern France. It was his studio from 1902 until his death in 1906.
In November 1901, after the death of his mother and the sale of family property in Aix-en-Provence, Cézanne bought an old farmhouse and 7000 square metres of land on the Lauves hill near the city. It has a view of Montagne Sainte-Victoire, the subject of many oil paintings and watercolours by the artist.
He constructed a studio on the upper floor, lit by large windows on the south side and a glass roof to the north; it was completed in September 1902. The ground floor was used for daily life, and he worked in the studio, creating paintings including The Bathers.
After his death, it passed to his son Paul; it was bought in 1921 by Marcel Joannon (known as Marcel Provence), an admirer of Cézanne. He occupied only the ground floor, leaving the studio upstairs as Cézanne had left it. Artists and art historians, including John Rewald, came to visit. After Joannon's death, John Rewald and the writer James Lord established the Cézanne Memorial Committee; in 1952 the committee had enough funds to purchase the property, which was converted into a museum.
The building is now owned by the Tourist Office of Aix-en-Provence. In Cézanne's former studio there is his work equipment, the models of his final still life paintings and his furniture; there are some watercolours and drawings by the artist. Temporary exhibitions are held, and cultural events take place.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.