The Château of Vauvenargues is a fortified bastide in the village of Vauvenargues, just outside the town of Aix-en-Provence.
Built on a site occupied since Roman times, it became a seat of the Counts of Provence in the Middle Ages, passing to the Archbishops of Aix in the 13th century. It acquired its present architectural form in the 17th century as the family home of the marquis de Vauvenargues. After the French revolution it was sold to the Isoard family, who despite their humble origins eventually installed their coat of arms in the chateau. 19th century additions include a ceramic maiolica profile in the Italian renaissance style of René of Anjou, one of the former owners, and a small shrine containing the relics of St Severin.
In 1929 the chateau was officially listed as a historic monument. In 1943 it was sold by the Isoard family to three industrialists from Marseille, who stripped it of its furnishings and mural decoration, some of which still survives in the Château of La Barben. In 1947 it became a vacation centre for a maritime welfare institution.
It was acquired in September 1958 by the exiled Spanish artist Pablo Picasso, seeking a more isolated working place than his previous home, 'La Californie' in Cannes. He occupied and remodeled the chateau from 1959 until 1962, after which he moved to Mougins. He and his wife Jacqueline are buried in the grounds of the chateau of Vauvenargues, which is still the private property of the Picasso family. Their tomb is a grassy mound surmounted by La Dame à l'offrande (1933), a monumental sculpture that previously guarded the entrance of the Spanish pavilion at the International Exhibition in Paris in 1937.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.