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Founded: 9th century ADCategory: Castles and fortifications in France
Historical period: Frankish kingdoms (France)
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The Château de l'Empéri is a 9th-century castle built on the rock of Puech which dominates the immense plain of Crau in the commune of Salon-de-Provence. The castle was the residence of the archbishops of Arles as well as the Holy Roman emperors. It is from the latter that the castle derives its name of the Empire which at this time included the East bank of the Rhône River. During 1481, at the time of the junction with Provence, it came under the power of kings of France. Arranged and embellished during the 15th and 16th centuries it was used as jails and barracks after the Révolution time. Hardly damaged by an earthquake in 1909, the buildings were restored by the Monuments Historiques during 1926 and hosted the museum of the old Salon, before hosting now the present museum of Art and History Military.
In the Empéri stayed several kings and queens of France. Francis I and his court, Louis XIV. In 1660 Catherine de' Medici came to consult Nostradamus, the famous astrologer would have predicted the throne for her three sons and the accession of her nephew, the future king Henri IV.
The castle contains faithful representations of the various army corps from the Napoleonic Wars to the present day in its museum. The museum also contains a copy of a bed belonging to Napoleon I at Saint Helena.
References:Střekov Castle (Schreckenstein) is perched atop a cliff above the River Elbe, near the city of Ústí nad Labem. It was built in 1316 for John of Luxembourg, the father of the Holy Roman Emperor Charles IV, to guard an important trade route to Germany. After changing hands several times, the castle was acquired by the Lobkowicz family in 1563. Its strategic importance led to occupations by Imperial Habsburg, Saxon, and Swedish forces during the Thirty Years' War, as well as successive sieges by Austrian and Prussian armies during the Seven Years' War.
Although Střekov Castle was heavily damaged during those conflicts and abandoned as a military installation by the end of the 18th century, the 1800s saw many poets and artists visiting the castle, drawn by a new trend of interest in romantic ruins.