The chapel of Our Lady Queen of Peace, or Foujita Chapel, was constructed in 1965-1966 at Reims, France. The chapel was conceived and designed by the artist Tsuguharu Foujita, and is famous for the frescos he painted in the interiors. The chapel was consecrated in 1966, and in 1992 was listed as an historic monument of France.
Foujita was a Japanese born painter who came to Paris in 1913, and is a known member of the School of Paris. After experiencing mystical enlightenment at the Abbey of Saint-Remi Basilica in Reims in 1959 he converted to Catholicism and was baptised.
Foujita's godfather René Lalou, then the chairman of Mumm champagne, decided with Foujita to build a Romanesque chapel dedicated to the Virgin Mary. Foujita drew up the plans for the chapel and the interior and exterior decoration, including stained glass windows, reliefs, ironwork, sculptures, and the frescos.
In 1965, work began under the architect Maurice Clauzier and was finished in 1966. The stained glass windows were crafted by the glazer Charles Marq, the wrought iron work and sculptures by Maxime Chiquet and the Andre brothers.
Over a period of three months in early June and August 1966, Foujita, by then 80, painted the chapel walls with religious iconography in the form of large frescos in blues, greens, browns and yellows. Although the frescos are of Christian themes, one can also find depictions of Foujita and his wife Kimiko, in addition to his friend Lalou and Lalou's wife.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.