The Notre-Dame-en-Vaux in Châlons-en-Champagne. The cathedral is a major masterpiece in Marne. With its spires, visible from dozens of kilometres away, it is one of the most amazing monuments in Châlons’ rich heritage. The church is registered on the World Heritage List by UNESCO under the title of 'roads to St Jacques de Compostela in France'.
Originally located outside the city walls, Notre-Dame-en-Vaux was built on a swampy area where three rivers converged, of which only the Mau remains. It was not brought inside the city walls until the 13th century. The first chapel was built in the 9th century, the church was subsequently built and occupied by a community of canons in 1114 who lived together “in college”, hence its status as a collegiate church.
Only the lower level of the transept and the towers of the chevet remain from this period. The rest of the building underwent reconstruction until 1217, in a so-called transitional style (leading to the Gothic period). It was at this point that Notre-Dame became an important pilgrimage destination. The chancel and the ambulatory with three stunning chapels, the first level of the transept and the nave with seven bays date from this period. The south porch, in a flamboyant Gothic style, was completed in 1469.
The collegiate church suffered greatly during the French Revolution and in the decades that followed. It was even transformed into a horse arena and then into stables, and was later invaded by the coalition armies. Throughout the 19th century, the celebrated architect, Lassus, and the Champenois abbot sought to restore the medieval architecture of Notre-Dame-en-Vaux. They had a second spire reconstructed on the façade. In addition, they restored an organ and some stained-glass windows in a Gothic style. They also repaved the ground with ancient tombstones and commissioned the Châlons artist Gustave Moriamé to design the neo-Gothic high altar.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.