The Krapperup estate dates from medieval times, but the existing manor, except the wings, is from the 16th century. When the Podebusk family built the castle, Skåne was still part of Denmark. The seven-pointed star, which is Gyldenstierne’s coat-of-arms, was added to the facades at the beginning of the 1600s. Denmark lost Skåne to Sweden in 1658, with Krapperup’s first Swedish owner being Maria Sophia de la Gardie. In the 1700s, the Hildebrands and then the von Kochen family owned the estate, and it was finally inherited by the Gyllenstierna family, with the seven-pointed star, in the 19th century.
The state rooms, with their Victorian interiors, are all situated in the main building, leaving the wings for the family’s private apartments. The gardens, covering about 80 acres, developed during the 19th century from their previous formal and utilitarian design into the present romantic layout with winding paths, carp ponds, an abundance of rhododendrons and an attractive rose garden.
The former estate in tail of Krapperup was converted into a foundation in 1967. This was with the aim of preserving the castle and the gardens in their surrounding rural landscape. The estate continues to be run as before by the family, with a well functioning agricultural holding of about 5,000 acres.
The old farm buildings around the former stableyard now house a museum and art gallery, a music hall and a small café and shop for visitors. The manor is open for prebooked visits only, but the gardens are accessible throughout the whole year.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.