Prince-Archbishop of Salzburg Leopold von Firmian (1679-1744) commissioned the palace in 1736 on the shores of an existing pond after he had enriched himself in the process of expelling over 22,000 Protestants from Salzburg. He acquired the area between the palace and the Untersberg as a family estate, which he passed on in May 1744 to his nephew Count Laktanz Firmian, who used it to house his large collection of paintings. This included works of Titian, Dürer, Poussin, Rubens and Rembrandt.
After the death of the Archbishop in 1744, his heart was buried in the chapel of the palace, while the rest of his body was placed in the cathedral of Salzburg. The palace was owned by the Firmian family until 1837, even after the death of Count Laktanz in 1786. George Zierer, the owner of a local shooting gallery, bought the palace and stripped it of most of the valuable interior decorations, including paintings, etchings, and sculptures.
The palace had several owners during the 19th century (including a banker and two waiters who wanted to use it as a hotel, King Ludwig I of Bavaria). In 1918 it was bought by Max Reinhardt, the noted theatre director and co-founder of the Salzburg Festival.[3] By this time the palace was in urgent need of repair. With the work of local artisans, Reinhardt spent twenty years renovating the palace. Besides restoring the staircase, the Great Hall, and the Marble Hall, he created the Library, the Venetian Room and a garden theatre. He used the whole building for his theatre productions (the audiences had to move from room to room). He also used it as a gathering place for writers, actors, composers and designers from across the globe. Reinhardt escaped to the United States as persecution of the Jews increased, hoping the Nazis would be defeated in the war. He worked in Hollywood during World War II and died in New York in 1943, before the Allied victory.
In 1939 the German government confiscated the palace as a national treasure during the taking of 'Jewish property' throughout Austria. During the same year, Hermann Göring assigned the palace to Princess Stephanie von Hohenlohe, an Austrian who had been spying for the Nazis in Britain and Europe and who had many influential contacts. She was charged with transforming it into a guest house for prominent artists of the Reich, and to serve as a reception facility for Hitler's Berghof home.
By the end of the war, a bomb had exploded in the garden. It shattered the windows, destroyed a chandelier in the library on the ground floor and sent shrapnel fragments into the wall murals in the Chinese room. It also damaged the stucco work in the south facade. Traces of the damage can still be seen today.
After the war, the property was returned to the Reinhardt estate. In 1946 Helene Thimig, the widow of Max Reinhardt, offered use of the palace to Clemens Heller, who founded the Salzburg Seminar in American Studies, a 'Marshall Plan of the Mind,' together with Scott Elledge and Richard Campbell, all Harvard graduate students. The Salzburg Seminar brought together young people from the countries that had been in conflict during World War 2 and originally offered education on American history, art, literature and culture, in a period when United States armed forces occupied parts of Germany and Austria.
In 1959 the Salzburg Global Seminar purchased the palace, and in 1973 the adjacent Meierhof, which was part of the original Firmian estate. They have made extensive renovations and restorations to enable the palace to be used as a conference center and venue for events other than the Salzburg Seminar. In early 2014, 50 rooms in the Meierhoft, the Meierhof Café and the reception area underwent a substantial two-month renovation. The renovation included three 'The Sound of Music' themed rooms. In February 2014, the property reopened under its new name, Hotel Schloss Leopoldskron.
References:Saint-Georges de Boscherville Abbey is a former Benedictine abbey. It was founded in about 1113 by Guillaume de Tancarville on the site of an earlier establishment of secular canons and settled by monks from the Abbey of Saint-Evroul. The abbey church made of Caumont stone was erected from 1113 to 1140. The Norman builders aimed to have very well-lit naves and they did this by means of tall, large windows, initially made possible by a wooden ceiling, which prevented uplift, although this was replaced by a Gothic vault in the 13th century. The chapter room was built after the abbey church and dates from the last quarter of the 12th century.
The arrival of the Maurist monks in 1659, after the disasters of the Wars of Religion, helped to get the abbey back on a firmer spiritual, architectural and economic footing. They erected a large monastic building one wing of which fitted tightly around the chapter house (which was otherwise left as it was).