Gößweinstein Castle a medieval hilltop castle in Gößweinstein in the county of Forchheim in the German state of Bavaria. It towers high above the market town and the River Wiesent and may have been the inspiration for Richard Wagner's grail castle in his opera, Parsifal.
The castle was probably named after its founder, Count Gozwin. He was killed in 1065, after he had invaded the territory of the Bishop of Würzburg. The first record of Goswinesteyn castle is dated to 1076. At that time, Emperor Henry IV had Bishop Burchard II of Halberstadt, who had become embroiled in the Saxon Rebellion, incarcerated there, a fact which suggests it was already a strong fortress.
From the time of Bishop Otto of Bamberg there is evidence that the castle became part of the Bamberg estate. From 1348 to 1780 it was the seat of a vogtei under the bishops of Bamberg.
In 1525, during the Peasants' War it was destroyed and rebuilt. During the Second Margrave War in 1553 the castle was again destroyed and later rebuilt.
The castle became a Bavarian possession as a result of secularisation of the Bishopric of Bamberg in 1803. The Bavarian state sold the castle in 1875 to Pauline Rabeneck, a landowning widow from the Manor (Rittergut) of Aspach near Uffenheim. In 1890 Baron Edgar of Sohlern purchased the castle and had it remodelled in the Neogothic style. The castle chapel also has Late Gothic statues.
The castle is still in the hands of the von Sohlen family. It houses a medieval museum which may be visited for a small entrance fee and there is a beer garden and terrace with good views over the Wiesent valley and village of Gößweinstein.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.