Set in a serene landscape in the south-western Steigerwald in Middle Franconia, Bavaria, Frankenberg Castle crowns the Herrschaftsberg. With its medieval towers, flanked by steep vineyards, the castle rises above a gently rolling hilly landscape. In addition to a 30-hectare wine-growing area, which makes Frankenberg one of the largest wineries in the region, the 130-hectare castle grounds include forests, arable land, orchards, and the Meierei, a historical dairy farm at the foot of the hill. With a history going back to at least 1254 and the rule of the renowned knight dynasty of von Hutten for more than 250 years, the monument is a substantial testimony to Franconian chivalric life.
The Frankenberg estate stood at the centre of 16th and 17th century religious conflicts. The religious border separating Protestant from Catholic lands still today runs through the estate. With Ulrich von Hutten as the noble family’s most notable member, Frankenberg makes the spirit of the Reformation, Renaissance humanist ideals and German culture tangible. Ulrich was a poet, scholar, and publisher, and the first imperial knight, but later made a name for himself as an avid reformer, and friend and ally to Martin Luther. From then on, he zealously opposed both the Pope and the Emperor and thus contributed significantly to the religious denominational schism.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.