The Archaeological Area of the Monumental Necropolis of Avella is a place of historical interest, located in via Tombe Romane.
Belonging to unknown families of the local aristocracy, the funerary monuments are lined up along the exit roads that led to the neighbouring towns. Dating from the late Hellenistic and early imperial periods, the tombs were built with the opus incertum technique, in local limestone, terracotta bricks and grey tuff, used above all for external cladding.
Typical 'a dado' sepulchral monuments, i.e. with a square plan, consist of two superimposed bodies: the lower quadrangular part, which rests on protruding bricks, and the upper, cylindrical part, ending in a cusp or surmounted by an aedicule. The sepulchral cell, with a rectangular plan and barrel vault, is contained in the lower body and has a very low entrance; Its peculiar small size allowed it to contain only the grave goods and the cinerary urns, characterizing, in fact, the Avella mausoleums compared to those found elsewhere. Vases, plants and various ornaments dedicated to the dead were placed In the enclosures surrounding the monuments of the complex in Casale.
The architecture of the Roman tombs of Avella, although common to that of other monuments used for similar functions and found in the Campania region, represents an exemplary testimony for the reconstruction of funeral rites in the classical era.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.