The Archaeological Area of the Monumental Necropolis of Avella is a place of historical interest, located in via Tombe Romane.
Belonging to unknown families of the local aristocracy, the funerary monuments are lined up along the exit roads that led to the neighbouring towns. Dating from the late Hellenistic and early imperial periods, the tombs were built with the opus incertum technique, in local limestone, terracotta bricks and grey tuff, used above all for external cladding.
Typical 'a dado' sepulchral monuments, i.e. with a square plan, consist of two superimposed bodies: the lower quadrangular part, which rests on protruding bricks, and the upper, cylindrical part, ending in a cusp or surmounted by an aedicule. The sepulchral cell, with a rectangular plan and barrel vault, is contained in the lower body and has a very low entrance; Its peculiar small size allowed it to contain only the grave goods and the cinerary urns, characterizing, in fact, the Avella mausoleums compared to those found elsewhere. Vases, plants and various ornaments dedicated to the dead were placed In the enclosures surrounding the monuments of the complex in Casale.
The architecture of the Roman tombs of Avella, although common to that of other monuments used for similar functions and found in the Campania region, represents an exemplary testimony for the reconstruction of funeral rites in the classical era.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.