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The Rotunda Zamość is a Polish museum devoted to remembering the atrocities committed at the former Rotunda Zamość Nazi German camp located in Zamość near Lublin.
Rotunda was built between 1825 and 1831 in accordance with the design of General Jean-Baptiste Mallet de Grandville. Was part of the fortifications of the Zamość Fortress. During World War II and German AB-Aktion in Poland in 1940 was taken over by the German Gestapo precinct. It served as a prison, holding camp and a place off mass execution of Polish people.
8000 people died in the Gestapo Rotunda camp in Zamość. Nobody was tried for those crimes. During Generalplan Ost and Ethnic cleansing of Zamojszczyzna by Nazi Germany from Zamość Region Germans resettled 297 villages, about 110,000 Polish people, including 16,000 to Majdanek concentration camp, 2,000 to KL Auschwitz-Birkenau. 30,000 children were resettled. 4,500 Polish children from Zamosc Region deported to Germany in order to be Germanized.
The gate which leads to the yard has the original doors with an inscription in German which reads: Gefangenen-Durchgangslager Sicherheitspol ('The temporary camp for the prisoners of Security Police').
In the center of the courtyard there is a stone plaque commemorating the site of the cremation of human bodies. On the cemetery around the Rotunda lie the ashes of more than 45 thousand people.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.