L'Épau Abbey is a former Cistercian abbey founded by the English queen Berengaria of Navarre in 1229. Plans for the abbey were classic with construction respecting the style of other Cistercian buildings. Construction took from 1230 to 1365. Four years after construction began, the Bishop of Le Mans Geoffroy de Laval placed the monastery under the patronage of both Notre-Dame and Saint John the Baptiste. The main buildings were not finished until 1280.
In March 1365, in the middle of the Hundred Years' War, the people of Le Mans burned the building of their own accord. As the monks had left the abbey, the inhabitants feared that enemy troops would seize the building and use it as a base from which to attack the town. In fact, it was the noblemen who forced the people to take action. The church was the part of the abbey to suffer the most damage. However, the following year the bourgeois of Le Mans decided to completely rebuild the damaged parts of the church. But they were not the ones who financed the renovation. Money was difficult to come by in the region and donations to religious orders were rare.
All the damaged buildings were renovated between 1400 and 1444. Charles VI raised finance by taxing the local population. One of the main artisans of the church restoration was Guillaume de Bonneville.
At the beginning of the French Revolution the abbey was transformed into a gigantic agricultural outbuilding.
Between 1965 and 1990, the abbey became popular for cultural functions, in particular for classical music events, conferences and exhibitions. The location is also used as the chair for the departmental assembly, in particular the 18th-century wing, which was restored in 1990.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.