Solesmes Abbey was founded in 1010 by Geoffrey, Lord of Sablé, who donated the monastery and its farm to the Benedictine monks. In the 12th century, a lord of Sablé returned from the Holy Land in possession of a relic. This relic, being a piece from the crown of thorns was given to the brothers at Solesmes for safekeeping and veneration. The presence of this relic drew crowds and allowed the monastery to gain popularity and fame.
Solesmes was sacked and burned during the Hundred Years' War but was later restored. The rebuilding of the church started towards the end of the 15th century. Prior Philibert de la Croix changed its plan from the basilica form to a Latin cross. His successor, Jean Bougler (1505–1556), completed the restoration of the church, added the tower, and rebuilt the cloisters, sacristy, and library.
From the 17th century on, Solesmes Abbey underwent a slow decline under a series of commendatory abbots. During the French Revolution, at the beginning of 1791, the monks began to leave the monastery, and those who resisted were imprisoned or deported to the Island of Jersey. In 1825, government property administrators sold the monastic buildings and 145 acres with its farms.
The church is long, narrow, and composed of two sections: the Nave and the Monk's Choir. The Nave was built between the 11th and 15th centuries and the Monk's Choir was built by Dom Prosper Guéranger in 1865. In the nave, a large stained glass window had to be blocked to install a great organ, which now sits in the back of the nave.
Solesmes currently holds two well-manicured gardens. The smallest of the two, being the guesthouse terrace gardens surrounds a small house coated in coarse pink plaster. This area, as well as the adjacent slope (informally referred to as 'the valley' by members of the congregation) is accessible by retreaters for meditation and reflection. The larger of the two gardens is located within the enclosure.
Located within the transept of the church are 'The Saints of Solesmes.' These artistic masterpieces, whose creators have been lost to time, are displayed on both the North and South sections of the transept. Their estimated construction period was from c. 1530 – c. 1553 (being the date inscribed on the South colonnade). It is unknown who sculpted these icons, as nearly all of the monastery's archives were destroyed during the French Revolution. In addition, any records of who financed the creation of the Saints of Solesmes was lost with the destruction of the monastery's archives as well. It can be inferred the Saints of Solesmes were donated by wealthy benefactors, as the priory's finances at this time period would not have been able to finance a project of this magnitude.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.