Matera Cathedral is dedicated to the Virgin Mary under the designation of the Madonna della Bruna and to Saint Eustace. Formerly the seat of the Bishops, later Archbishops, of Matera, it is now the cathedral of the Archdiocese of Matera-Irsina.
The cathedral was built in Apulian Romanesque style in the 13th century on the ridge that forms the highest point of the city of Matera and divides the two Sassi, on the site of the ancient Church of Saint Eustace, protector of the city. Construction began in 1203, the year in which Pope Innocent III raised Matera to the rank of an archdiocese in union with Acerenza as the Archdiocese of Acerenza and Matera, and was completed in 1270.
The original dedication was to Santa Maria di Matera, as recorded in a contemporary notarial document. Then, on the evidence of a will of 1318, it was entitled Santa Maria dell'Episcopio, and from 1389, the year in which Pope Urban VI (already Archbishop of Matera), instituted the feast of the Visitation, it was dedicated to Santa Maria della Bruna, also a protector of the city. Finally, from 1627 Monsignor Fabrizio Antinori, archbishop of Matera, dedicated the cathedral to the Madonna della Bruna and to Saint Eustace.
The west front is dominated by the rose window of sixteen rays and by the campanile on the left side, 52 metres high. The cathedral has a Latin cross ground plan and contains three naves, separated by round arches supported by columns with stone capitals. Much of the interior received a Baroque-style decoration in the 17th and 18th century, including gilded stuccoes and frames.
The interior houses a Byzantine-style fresco depicting the Madonna della Bruna and Child, dating from 1270 and attributed to one Rinaldo da Taranto. The carved wooden choir stalls (60 in total) are located in the apse (1453), by Giovanni Tantino of Ariano Irpino. The high altar has an altarpiece by Fabrizio Santafede depicting The Virgin with Saints.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.