The Chiesa di San Giovanni Battista is a Roman Catholic church dating to the 13th and 18th centuries, located in Matera in the Italian region of Basilicata, and dedicated to Saint John the Baptist. Like the Duomo, the church is an important example of Apulian Romanesque architecture.
In 1215, 'penitents' of Santa Maria di Accon arrived in Matera from the Kingdom of Acre and, in 1220, they were granted the chapel of Santa Maria la Nova, previously a Benedictine establishment (until 1212). In 1229, they began work on a new church as a replacement for this chapel; this was completed in 1236. In 1480, at the time of the Ottoman invasion of Otranto, the nuns abandoned the church, which lay outside the city walls.
In 1695, due to the poor state of the nearby parish church of San Giovanni Battista in Sasso Barisano, Antonio Del Ryos Colmenares, archbishop of Matera and Acerenza, with the agreement of the nuns of Accon, transferred the parish to the abandoned thirteenth century church of Santa Maria la Nova. Ensuing eighteenth-century additions included the 1701 sacristy and 1735 Cappella del Santissimo Sacramento. At the end of the century, due to the deterioration of the three domes over the transept, they were demolished and replaced with vaults. To help contain the thrust of the new superstructure, the façade was lined with a series of arches, though leaving visible the original thirteenth-century portal, above which there is a statue of the Baptist.
The floor plan is that of a Latin cross with a central nave, with 'Lecce vaults' [it], flanked on each side by an aisle with cross vaults. In the left aisle there is a polychrome altar with a fresco above depicting Santa Maria la Nova, while in the Chapel of the Holy Sacrament there is a painting on canvas by local artist Vito Antonio Conversi. In addition to ornate capitals, there are two sculptures attributed to the school of Altobello Persio.
The church opens onto and gives its name to a small piazza. Adjoining the church to the southwest is the former Ospedale di San Rocco (Hospital of Saint Roch), which incorporates the small Chiesa di Cristo Flagellato (Church of the Flagellated Christ), with seventeenth-century frescoes. In 1610, the Hospital incorporated part of the façade of San Giovanni Battista; some sculptural elements, including two elephants and a telamon, were relocated elsewhere on the façade and external walls of the church.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.