The Cathedral of San Gerardo is the main church or duomo of the city of Potenza. A temple at the site, dedicated to the Virgin of the Assumption, likely dated to the 5th or 6th century, when it was supposedly founded by Saint Orontius of Lecce. A new church dedicated to St Gerardo della Porta, who became patron of the town and whose relics are sheltered here, was built between the 12th and 13th centuries, under the patronage of the bishop Bartolomeo (1197-1206). The five-story stone belltower from this church, attributed to designs by Sàrolo di Muro Lucano, still exists.
The present church is mainly due to a reconstruction during 1783 to 1799 in neoclassical-style with a design by Antonio Magri, a pupil of Luigi Vanvitelli. Since the church has required repairs after various earthquakes and a bombardment in 1943.
The ceilings and the apse have an elaborate program of frescoes painted in the 20th century. The ceiling was painted (1933-1934) from the façade to the presbytery with scenes from the old to new testament by the painter Mario Prayer. The bronze doors (1968) were created by Giuseppe Niglia. Below the main altar is a crypt with archeologic evidence of prior structures in a mosaic pavement. The dome has frescoes depicting a procession of St Gerard. The apse has a Christ the Redeemer frescoed against a bright background. The chapel of St Gerard has a 15th-century reliquary statue.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.